Lucy Grubb
BA (Hons) Fine Art

fragments flirt with provisional architectures
incomplete and fragile drawings
lean
between
relational forms of water
instability, material fragilities, and shifting impermanence's underpin ideas of wetness allowing for fragmented structures to become relationally (un)known – where drawings provocate conversations of material juxtaposition, print-making systems, and praxis
through becoming gestures, transition, and oscillation the work suggests how we can generate non-linear thoughts with consideration to 1930s provisional architectures, and gestural stutters
(a slippage).













